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Lots of contemporary lit plays with the relationship between the earnest and satirical but I've never experienced such intense confusion about whether I am on the verge of laughter or tears as I do when I read HLB. Cally Mac. Author 1 book 18 followers. It's so hard to do love poetry well, but HLB's love poetry is my favorite kind. Author 7 books followers. Born in Thames. But at the same time, the poems suggest, if romantic cliché what you have to build with — then build with romantic cliché. Seeping with existential delay. Whatever it is, there is something unique and a little bit addictive in these poems. Add your Reply Cancel reply You must be logged in to post a comment. Absurd and overwhelming, but accurate and revealing - just like love is.

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Well, where historically poets have refined their language towards poetic diction and metre — and risked being programmatic and melodically repetitive as a result — Bird refines her language towards an imitation of vernacular usage. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. This is a book I will finish over and over again and immediately restart. If you love that poem, you will love this collection and her other one, which has her other best poem Monica. If I priced per page, this very slim volume is the most expensive book I have ever bought! This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences.

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Notify me of follow-up comments by email. Write a Review. Grace Usleman. But Bird is never those things, in the same way Tennyson is never drily metrical. I loved this more than Hera's original book I think. Subscribe to Blog. There are a lot of punishments in this world And some of these punishments look a lot like day to day life Some things cannot be transformed, only endured The moon shining over all of us, with its clean white handrail. We invite and pay emerging poetry reviewers to focus their critical skills on the small press, pamphlet and indie publications that excite us the most. But at the same time, the poems suggest, if romantic cliché what you have to build with — then build with romantic cliché. This is not the kind of poetry that I normally read, and I must admit to being put-off initially by the more explicit and provocative lines. The humor balanced on top of painful truths and insights. Hera Lindsay Bird is God. If you ever get the chance, hear her read her poetry. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis. Long live the funny gothic juggling of Hera Lindsay Bird.

Fleurs du Mal Magazine » Hera Lindsay Bird: Pamper Me to Hell and Back (Poetry)

  • I loved this more than Hera's original book I think.
  • I like this picture because it reminds me of loneliness And the great, unspecific boredom of life.
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  • But at the same time, the poems suggest, if romantic cliché what you have to build with — then build with romantic cliché.
  • Do read.

Jump to ratings and reviews. Want to read. Buy on Amazon. Rate this book. Hera Lindsay Bird. Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Loading interface About the author. Hera Lindsay Bird 4 books followers. Born in Thames. Write a Review. Create a free account to discover what your friends think of this book! Community Reviews. Search review text.

P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. Many of the poems are surreal, whilst some feel more like Facebook posts, and others seem designed to be performed as spoken word. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. It also reveals the underlying themes pamper me to hell and back mortality, love and the relentless monotony of life. This is not the kind of poetry that I normally read, and I must admit to being put-off initially by the more explicit and provocative lines. Perhaps it is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout. Whatever it is, pamper me to hell and back, there is something unique and a little bit addictive in these poems.

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Pamper me to hell and back. Pamper Me to Hell & Back

Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Fame, the moon, pamper me to hell and back. Well, where historically poets have refined their language towards poetic diction and metre — and risked being programmatic and melodically repetitive as a result — Bird refines her language towards an imitation of vernacular usage. But Bird is never those things, in the same way Tennyson is never drily metrical. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis. The sheer reach and imaginative variety is striking, but… is that variety part of any form? Or the other way round. Probably the other way round. The very light which makes the blossom visible also renders it sarcastic, bitter and mean. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences, pamper me to hell and back.

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Ashley Lamont. Rate this book. I feel like I have found my poet soulmate.

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